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1. Lejonkungen - London
på Lyceum Theatre, tis, 26 nov 2024 - sön, 26 okt 2025Från 624 kr
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2. Tina - The Tina Turner Musical
på Aldwych Theatre, mån, 25 nov 2024 - lör, 25 okt 2025Från 167 kr
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3. Wicked the Musical
på Apollo Victoria Theatre, tis, 26 nov 2024 - sön, 4 jan 2026Från 410 kr
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4. Phantom of the Opera
på His Majesty's Theatre, mån, 25 nov 2024 - lör, 27 sep 2025Från 410 kr
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5. Mamma Mia
på Novello Theatre, mån, 25 nov 2024 - lör, 27 sep 2025Från 204 kr
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6. MJ The Musical
på Prince Edward Theatre, mån, 25 nov 2024 - lör, 21 jun 2025Från 329 kr
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7. The Book of Mormon
på Prince of Wales Theatre, mån, 25 nov 2024 - lör, 22 mar 2025Från 329 kr
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8. Les Miserables
på Sondheim Theatre, mån, 25 nov 2024 - lör, 6 sep 2025Från 410 kr
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9. Matilda the Musical
på Cambridge Theatre, tis, 26 nov 2024 - sön, 24 maj 2026Från 329 kr
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10. Hamilton
på Victoria Palace Theatre, mån, 25 nov 2024 - lör, 27 sep 2025Från 329 kr
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Biljetter till: Double Feature
Inga biljetter tillgängliga
2 Biljetter, ons, 27 nov 2024
Double Feature
Detta är en helt ny produkt i vårt sortiment som du redan nu kan boka biljetter till - information på svenska kommer att finnas tillgänglig snart.
“Art and Eros are always superimposed, don’t you find? You cannot separate the two: the model naked in supplication before the artist; the artist exposing himself in trust. The beast of creation is always erect.”
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
1964/1967. In a rented cottage in Suffolk, a brilliant young film director, deep in making his magnum opus, confronts the ageing star that the studio has imposed on him. Vincent Price is about to walk out on the film, and Michael Reeves’ career hangs by a thread. Across the world, in a strange simulacrum of a Suffolk cottage created on a Hollywood lot, a great director and his star are engaged in a very different sort of power-game, as Alfred Hitchcock and Tippi Hedren take time off from making Marnie for one final confrontation.
John Logan is an American playwright and screenwriter. His other plays include the Tony Award-winning play Red (West End and Broadway), Peter and Alice (West End) and the book for Moulin Rouge (West End, Broadway, International); his screenplays include The Aviator, Skyfall and Gladiator.
Jonathan Kent returns to Hampstead where his previous productions include Good People, The Slaves of Solitude and The Forest.
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